general information

composition date
1994
duration
9 min
editor
Faber Music, San Antonio, Texas
Opus
13
Commission
Hallé Orchestra

type

Instrumental ensemble music (Mixed instrumental ensemble of 10 to 25 instruments)

detailed formation

3 clarinets (also 2 bass clarinets), percussionist, 3 violas, 3 cellos (also rainstick)

information about the creation

date
October 6, 1994

Royaume-Uni, Manchester, Free Trade Hall

interpreters

les membres du Hallé Orchestra, direction : Thomas Adès.

Program note

Cette œuvre tire son titre d’une peinture de Daniel Maclise (1806-1870) exposée dans la galerie d’art de la ville de Manchester qui s’inspire d’une légende celtique : une nymphe de l’eau tombe amoureuse d’un mortel et lutte désespérément pour quitter son élément et rejoindre son prétendant sur la terre. Les dieux, pris de pitié devant ses échecs, la changent en harpe, transformant ses complaintes en une douce musique aérienne qui se glisse entre les cordes. Le tableau montre la nymphe juste avant sa métamorphose. _Extrait du programme du festival Présences de Radio France 2007, reproduit avec l’aimable autorisation de Radio France._ _The Origin of the Harp_ was commissioned by Halle Orchestra The first performance was given by members of the Halle Orchestra conducted by the composer in the Free Trade Hall, Manchester, on 6 October 1994\. _The Origin of the Harp_ is recorded by Thomas Ades and Friends on the EMI Debut Series 'Living Toys' CDZ 5 72271 2 Programme Note This piece takes its title from a painting by Daniel Maclise (1806-1870) in the Manchester City Art Gallery. Its subject is the Celtic Legend of a water nymph who falls for a mortal and struggles hopelessly to leave her element and join him on land. The Gods, taking pity on her failure, intervene and turn her into a harp, transforming her weeping into a gentle music of wind through strings. The painting shows her in the moment preceding the metamorphosis, the strands of her hair framed by a triangle of her body, a rock and her arm. In this piece, too, the harp itself is not featured but suggested, at the start of the fourth and final section, after a flash of divine intervention.



Thomas Adès.

Part titles

1. Dolcissimo ed espressivo
2. Largo con moto
3. Spettrale
4. [Sans titre]


recordings

Go to the media page

complete.mp3

Composed by Thomas Adès , concert on June 24, 1996


similar works


This entry is encyclopaedic in nature and does not reflect the collections of the Ircam media library. Please refer to the "scores" entries.


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